The river lets go for one second.
A painterly rainbow trout leaping from white water on juniper blue-green, a trucker hat design for days on the Owyhee River.
A rainbow trout bursts clear of curling white water, jaw open, body bent mid-leap. It is coloured in olive ochre and rose red over a juniper blue-green field, with spray in sun-bleached bone.
- Rainbow trout caught mid-leap
- Rose red stripe on olive ochre
- White spray in sun-bleached bone
- Juniper blue-green fading to deep spruce
- Seven stencil layers, painterly finish
The cap
One design, four caps. The front panel is what the paint or the dye sits on, so it changes the hat.

Trucker
The house cap — structured mid profile, foam-and-mesh back, snapback.
Specs
- Profile
- Mid profile
- Build
- 6-panel · Structured — buckram behind the front
- Crown
- 3½ in (8.9 cm)
- Visor
- Pre-curved, 2¾ in (7 cm)
- Closure
- Snapback
- Adjusts to
- 21½–24 in (54.5–61 cm)
- Airbrushed on
- Natural cotton twill
- Sublimated on
- White polyester foam

Rope cap
Structured five-panel with a near-flat brim and a cord across it.
Specs
- Profile
- Mid-high profile
- Build
- 5-panel · Structured
- Crown
- 4 in (10.2 cm)
- Visor
- Near-flat, 2⅞ in (7.3 cm), contrast rope
- Closure
- Snapback
- Adjusts to
- 21½–23¾ in (54.5–60.5 cm)
- Airbrushed on
- Stone cotton twill
- Sublimated on
- White polyester twill

Dad hat
Soft, low and unstructured — washed cotton with a strap back.
Specs
- Profile
- Low profile
- Build
- 6-panel · Unstructured — soft front
- Crown
- 3¼ in (8.3 cm)
- Visor
- Curved, 2¾ in (7 cm)
- Closure
- Strap back, brass buckle
- Adjusts to
- 21–23½ in (53.5–59.5 cm)
- Airbrushed on
- Washed khaki cotton
- Sublimated on
- White polyester twill

Five-panel camp
Flat brim, low crown, packs flat in a vest pocket.
Specs
- Profile
- Low profile
- Build
- 5-panel · Unstructured
- Crown
- 3¼ in (8.3 cm)
- Visor
- Flat, 2½ in (6.4 cm)
- Closure
- Strap back, side-release clip
- Adjusts to
- 21½–23½ in (54.5–59.5 cm)
- Airbrushed on
- Field olive nylon-cotton
- Sublimated on
- White polyester
Fit

| Cap | Profile | Crown height | Visor | Adjusts to |
|---|---|---|---|---|
| Trucker | Mid profile | 3½ in (8.9 cm) | Pre-curved, 2¾ in (7 cm) | 21½–24 in (54.5–61 cm) |
| Rope cap | Mid-high profile | 4 in (10.2 cm) | Near-flat, 2⅞ in (7.3 cm), contrast rope | 21½–23¾ in (54.5–60.5 cm) |
| Dad hat | Low profile | 3¼ in (8.3 cm) | Curved, 2¾ in (7 cm) | 21–23½ in (53.5–59.5 cm) |
| Five-panel camp | Low profile | 3¼ in (8.3 cm) | Flat, 2½ in (6.4 cm) | 21½–23½ in (54.5–59.5 cm) |
One size per cap. Run a tape around your head just above the ears, keeping it level — anything inside the range above will close on it.
Two finishes
The same design, made two ways. Pick one in the panel; the cap and the quantity are yours to choose too.

Hand airbrushed
$85 for one hat, on a trucker
Painted to order — would ship in about 2 weeks
How it is made
- How it is made
- Sprayed by hand through this design's own stencils, one layer at a time, each left to dry before the next mask goes down.
- How it looks
- Soft gradients and hand-cut stencil edges. Every cap is a little different.
- What it sits on
- On a natural cotton twill front.
- Durability and care
- Water-based paint, heat set and sealed. It takes rain and a season on a boat; spot clean with cool water, never a washing machine.

Sublimation printed
$32 for one hat, on a trucker
Printed to order — would ship in 5–7 business days
How it is made
- How it is made
- The design is printed in dye onto transfer paper, then pressed with heat so the dye soaks into the polyester fibres.
- How it looks
- Full colour edge to edge, and identical every time.
- What it sits on
- On a white polyester foam front — sublimation only takes on white polyester.
- Durability and care
- The dye is in the fibre, not on it, so it will not crack or peel. Gentle wash, air dry.
The artwork
A rainbow trout comes out of the water sideways, jaw wide, tail still in the foam. The red band runs the length of it. Bone-white spray hangs in the air around a field of juniper blue-green that darkens to spruce at the edges.
Wear it on the Owyhee River in autumn, walking the bank between runs. From across the parking pullout, people see the jump before they see you. Up close, they count the spots.
Spatter is what sells the leap. Keep the droplets small and uneven, a few landing on the fish's flank, and the whole scene starts to move.

What arrives
- The hat
- A care card
- On a hand airbrushed hat, a numbered tag naming the water it was painted from, when the design names one

Looking after it
Hand airbrushed
- Spot clean with cool water and a soft brush. Never a washing machine.
- Keep it out of a hot car for long stretches — heat-set paint is tough, but a dashboard in July is not a test worth running.
- Reshape the brim by hand while damp.
Sublimation printed
- Spot clean, or gently hand wash in cool water. No bleach.
- Air dry. Do not iron the print.
- Reshape the brim by hand while damp.
- The dye is in the fibre, so the print will not crack or peel.
Details
Airbrush palette
- Colours
- deep spruce, juniper blue-green, olive ochre, rose red, charcoal, sun-bleached bone
Details
- Subject
- rainbow trout
- Style
- painterly realistic
Make it yourself

The palette
- Deep spruce
- Juniper blue-green
- Olive ochre
- Rose red
- Charcoal
- Sun-bleached bone
The layers
7 layers, in this order. Each mask comes off and the paint has to dry before the next one goes down.
- Ground
- Upper wash
- Trout body
- Stripe
- Belly
- Markings
- Spray
The kit's stencil set is cut from these layers; with the cutter (12 hats and up) you cut your own from this design's layer files.
How to mix each colour
Deep spruce
Mix by eye against the photograph; test on the card first
Juniper blue-green
Primary blue, a drop of white to lighten it, a drop of black to deepen it; build it in thin coats
Olive ochre
2 parts yellow, 1 part black, a drop of red to warm it
Rose red
1 part red to 4 parts white, a drop of blue if it looks salmon
Charcoal
1 part white to 3 parts black, a drop of blue
Sun-bleached bone
Mix by eye against the photograph; test on the card first
Setup
- Ventilation or a spray booth. Water-based paint still throws a fine mist, and you will be breathing it for hours.
- A half-mask respirator rated for paint mists. A dust mask is not one.
- A compressor with a moisture trap, set and tested on a card before you start: wet air spits water into the paint.
- Reducer and a cleaning pot within reach, so a clog is a ten-second fix instead of a ruined panel.
- Spray a test card for every colour before it touches the cap. Colour reads differently wet, dry and on twill.
Prep
- Lint-roll the front panel. Every fibre left on it prints as a speck in the paint.
- Mask the mesh, any seams you want clean and the whole visor, underside included, with low-tack tape and paper.
- Stretch the crown over the cap jig so the front panel is taut and curved the way it will be worn. Spraying a slack panel flat distorts the design when it is worn.
- Spray one light coat of transparent base so the colour sits on the fabric instead of soaking into it.
Layer by layer
1 · Ground — 0.5 mm · 25–30 PSI
deep spruce — a dark fade across the lower field and edges
Mask None on the panel itself: the mesh and the visor are already masked from the prep.
Colour Deep spruce — Mix by eye against the photograph; test on the card first
- Needle
- 0.5 mm (a 0.35 mm works, it just takes longer)
- Pressure
- 25–30 PSI
- Distance
- 6–8 in from the panel
- Passes
- 3–4 light passes, building the colour
- Dry
- 10 minutes, or 60–90 seconds with a heat gun on low, before the next mask goes down
Tip Fade wet to dry and never lay one heavy coat: twill wicks paint sideways and the edge blooms.
2 · Upper wash — 0.35 mm · 20–25 PSI
juniper blue-green — a lighter blend rising toward the top
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Juniper blue-green — Primary blue, a drop of white to lighten it, a drop of black to deepen it; build it in thin coats
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
3 · Trout body — 0.3 mm · 18–22 PSI
olive ochre — the leaping fish, back, tail and fins
Mask The hand-cut subject stencil, inner pieces first, then the outline piece.
Colour Olive ochre — 2 parts yellow, 1 part black, a drop of red to warm it
- Needle
- 0.3 mm
- Pressure
- 18–22 PSI
- Distance
- 3–4 in from the panel
- Passes
- 2–3 passes per tone, light to dark
- Dry
- 10 minutes between tones
Tip Light tones first: a light colour over a dark one needs many coats, a dark one over a light one needs two.
4 · Stripe — 0.35 mm · 20–25 PSI
rose red — the lateral band and the gill plate
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Rose red — 1 part red to 4 parts white, a drop of blue if it looks salmon
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
5 · Belly — 0.35 mm · 20–25 PSI
sun-bleached bone — the pale underside and lower flank
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Sun-bleached bone — Mix by eye against the photograph; test on the card first
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
6 · Markings — 0.35 mm · 20–25 PSI
charcoal — scattered spots, the eye and fin edges
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Charcoal — 1 part white to 3 parts black, a drop of blue
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
7 · Spray — 0.2–0.3 mm · 12–15 PSI
sun-bleached bone — curling white water and flying droplets
Mask None: freehand, with a shield card held against any hard edge.
Colour Sun-bleached bone — Mix by eye against the photograph; test on the card first
- Needle
- 0.2–0.3 mm
- Pressure
- 12–15 PSI
- Distance
- 1–2 in from the panel
- Passes
- Freehand, in short controlled strokes
- Dry
- 10 minutes, then check it before you cure
Tip Low pressure, close in and moving: stop the stroke before you release the trigger.
Step by step
Mask the outer border and spray deep spruce across the lower field and edges. Start around 20 PSI, 0.5 mm needle, 15 cm away; treat all settings here as a starting point.
Without moving the border mask, blend juniper blue-green upward from the middle, 18 PSI, 0.5 mm needle, 15–20 cm, so the field lightens toward the top. Let it flash dry.
Lay the trout silhouette mask and fill olive ochre across the back, tail and fins, 18 PSI, 0.5 mm needle, 10 cm.
Mask the stripe and gill plate and spray rose red, 15 PSI, 0.3 mm needle, 8 cm. Feather the edges so the band blends into the flank.
Mask the belly line and spray sun-bleached bone along the underside, 15 PSI, 0.3 mm needle, 8 cm.
Freehand or use a dot stencil for charcoal spots, the eye and fin edges, 12 PSI, 0.2 mm needle, 4–5 cm.
Mask the wave shape and build sun-bleached bone white water in short bursts, 18 PSI, 0.3 mm needle, 10 cm.
For droplets, drop to about 8 PSI and pull the trigger back lightly to spatter sun-bleached bone around the fish and above the wave.
Let the paint cure fully, at least 24 hours, then heat-set and seal following your paint maker's directions.
Cure
- Heat set at 300°F / 150°C. Water-based textile paint is not wash-fast until it is heat set.
- Cap press: 3–5 minutes with a teflon sheet over the design.
- Or heat gun: 2–3 minutes per panel, keeping it moving 2–3 in off the fabric so it does not scorch.
- If you have neither, air cure for 72 hours before the cap touches water.
Seal
- Two light coats of matte fabric sealer, UV-resistant, from 8–10 in, 15 minutes apart.
- Leave it 24 hours before the cap is worn.
- Never a gloss sealer on cotton twill: it shines, cracks along the creases and looks like a sticker.
Clean-up
- Flush the brush with water, then airbrush cleaner, until it sprays clear.
- Strip the needle and wipe it toward the tip, never away from it.
- Never soak the brush body overnight.
Common mistakes
- Spraying the rose red too heavily turns the stripe into a hard line. Use light passes and feather the edges.
- Spatter at full pressure gives a fine mist instead of droplets. Lower the pressure until you see distinct dots.
- Painting the spray before the fish buries the tail. Keep the white water last so it wraps over the body.
- Sealing too soon traps solvent and dulls colour. Wait out the full cure before heat-setting.
Tips
- Let each layer flash dry before the next mask goes down, or the stencil will lift wet paint.
- Leave a little juniper blue-green showing through the white water so the spray reads as foam, not a solid shape.
- Vary spot sizes and keep them denser on the back and tail, thinning toward the belly.

Every kit size
Trucker · kit for 1 hat
$218
Bought separately $243 · you save $25
Includes Starter airbrush set · Cap jig · and 7 more
Every item in this kit · 9 items
Blanks
- Trucker blank, natural cotton twill front$9
Stencils
- Pre-cut mylar stencil set for this design — 7 layers$18
Paint & masks
- Water-based textile airbrush colour, 2 oz — one per colour in this design$36
- Transparent base and reducer, 4 oz$7
- Low-tack masking film and ¼ in tape$8
- Matte fabric sealer, 4 oz$12
Equipment
- Starter airbrush set — 0.3 mm dual-action gravity brush, mini compressor, braided hose$129
- Cap jig — holds the crown taut while you spray$24
Guide
- Printed step-by-step guide for this designIncluded
Trucker · kit for 12 hats
$1,061
$88.42 a hat
Bought separately $1,206 · you save $145
Includes Dual-action gravity-feed airbrush · Quiet compressor with tank and moisture trap · Cap jig and two spare crown forms · Tabletop spray booth with exhaust fan · and 11 more
Every item in this kit · 15 items
Blanks
- Trucker blank, natural cotton twill front$78
Stencils
- Desktop stencil cutter, 12 in — the "stencil printer": cuts mylar from this design's layer files$299
- Stencil mylar, 7 mil, 12 × 12 in$22
- This design's layer files, every layer (SVG)Included
Paint & masks
- Water-based textile airbrush colour, 4 oz — one per colour in this design$84
- Transparent base and reducer, 16 oz$16
- Low-tack masking film$18
- Matte fabric sealer, 16 oz$28
Equipment
- Dual-action gravity-feed airbrush, 0.3 mm$135
- Quiet compressor with tank and moisture trap$179
- Cap jig and two spare crown forms$64
- Tabletop spray booth with exhaust fan$149
- Cleaning pot, brushes and a half-mask respirator$99
- Heat gun for curing$35
Guide
- Printed step-by-step guide for this designIncluded
Trucker · kit for 12 × 12 hats
$3,083
$21.41 a hat
Bought separately $3,628 · you save $545
Includes Two dual-action gravity-feed airbrushes · Production airbrush · Twin-piston compressor with tank and two regulators · Production spray booth · and 13 more
Every item in this kit · 17 items
Blanks
- Trucker blank, natural cotton twill front$756
Stencils
- Stencil cutter-plotter, 24 in — the production "stencil printer"$649
- Stencil mylar, 7 mil, 12 × 12 in$85
- This design's layer files, every layer (SVG)Included
Paint & masks
- Water-based textile airbrush colour, 32 oz — one per colour in this design$288
- Transparent base and reducer$49
- Low-tack masking film$54
- Matte fabric sealer$89
Equipment
- Two dual-action gravity-feed airbrushes, 0.3 mm$270
- Production airbrush, 0.5 mm, for base fades$95
- Twin-piston compressor with tank and two regulators$329
- Production spray booth, two fans$289
- Three cap jigs$192
- Cleaning station, respirator and spare cartridges$139
- Cap heat press for curing$279
- Drying rack, 24 caps$65
Guide
- Printed step-by-step guide for this designIncluded
The creator

How it was made
1 iteration led here; the saved one is marked
1 Saved
Remixes
No remixes yet — make your own version.
Where this came from
“a hat made for Owyhee River, Oregon”
trucker hat · made
0 — nothing entered the score yet, at the Derby's published weights, since . Views are not counted.
- rainbow trout
- leaping trout
- trout
- whitewater
- spray
- juniper blue-green
- rose red
- painterly
- fly fishing
- trucker hat


