Reedline Green Drake Trucker Hat
by @dekasso
Wings up, the hatch just starting
A realistic green drake mayfly perched on reeds over calm water, in leaf green, olive, peach and sage, for anglers who wait on the hatch.
A green drake mayfly rests on a bent reed above still water, wings raised and tails trailing. Leaf green wings and an olive ringed body sit over a peach sky and sage water lined with teal ripples.
- Green drake mayfly perched on a reed
- Leaf green wings veined in cream
- Olive segmented body and long tails
- Peach sky over sage water
- Teal ripples and wheat tan reeds
The cap
One design, four caps. The front panel is what the paint or the dye sits on, so it changes the hat.
Trucker
The house cap — structured mid profile, foam-and-mesh back, snapback.
Specs
- Profile
- Mid profile
- Build
- 6-panel · Structured — buckram behind the front
- Crown
- 3½ in (8.9 cm)
- Visor
- Pre-curved, 2¾ in (7 cm)
- Closure
- Snapback
- Adjusts to
- 21½–24 in (54.5–61 cm)
- Airbrushed on
- Natural cotton twill
- Sublimated on
- White polyester foam
Rope cap
Structured five-panel with a near-flat brim and a cord across it.
Specs
- Profile
- Mid-high profile
- Build
- 5-panel · Structured
- Crown
- 4 in (10.2 cm)
- Visor
- Near-flat, 2⅞ in (7.3 cm), contrast rope
- Closure
- Snapback
- Adjusts to
- 21½–23¾ in (54.5–60.5 cm)
- Airbrushed on
- Stone cotton twill
- Sublimated on
- White polyester twill
Dad hat
Soft, low and unstructured — washed cotton with a strap back.
Specs
- Profile
- Low profile
- Build
- 6-panel · Unstructured — soft front
- Crown
- 3¼ in (8.3 cm)
- Visor
- Curved, 2¾ in (7 cm)
- Closure
- Strap back, brass buckle
- Adjusts to
- 21–23½ in (53.5–59.5 cm)
- Airbrushed on
- Washed khaki cotton
- Sublimated on
- White polyester twill
Five-panel camp
Flat brim, low crown, packs flat in a vest pocket.
Specs
- Profile
- Low profile
- Build
- 5-panel · Unstructured
- Crown
- 3¼ in (8.3 cm)
- Visor
- Flat, 2½ in (6.4 cm)
- Closure
- Strap back, side-release clip
- Adjusts to
- 21½–23½ in (54.5–59.5 cm)
- Airbrushed on
- Field olive nylon-cotton
- Sublimated on
- White polyester
Fit
| Cap | Profile | Crown height | Visor | Adjusts to |
|---|---|---|---|---|
| Trucker | Mid profile | 3½ in (8.9 cm) | Pre-curved, 2¾ in (7 cm) | 21½–24 in (54.5–61 cm) |
| Rope cap | Mid-high profile | 4 in (10.2 cm) | Near-flat, 2⅞ in (7.3 cm), contrast rope | 21½–23¾ in (54.5–60.5 cm) |
| Dad hat | Low profile | 3¼ in (8.3 cm) | Curved, 2¾ in (7 cm) | 21–23½ in (53.5–59.5 cm) |
| Five-panel camp | Low profile | 3¼ in (8.3 cm) | Flat, 2½ in (6.4 cm) | 21½–23½ in (54.5–59.5 cm) |
One size per cap. Run a tape around your head just above the ears, keeping it level — anything inside the range above will close on it.
Two finishes
The same design, made two ways. Pick one in the panel; the cap and the quantity are yours to choose too.
Hand airbrushed
$85 for one hat, on a trucker
Painted to order — would ship in about 2 weeks
How it is made
- How it is made
- Sprayed by hand through this design's own stencils, one layer at a time, each left to dry before the next mask goes down.
- How it looks
- Soft gradients and hand-cut stencil edges. Every cap is a little different.
- What it sits on
- On a natural cotton twill front.
- Durability and care
- Water-based paint, heat set and sealed. It takes rain and a season on a boat; spot clean with cool water, never a washing machine.
Sublimation printed
$32 for one hat, on a trucker
Printed to order — would ship in 5–7 business days
How it is made
- How it is made
- The design is printed in dye onto transfer paper, then pressed with heat so the dye soaks into the polyester fibres.
- How it looks
- Full colour edge to edge, and identical every time.
- What it sits on
- On a white polyester foam front — sublimation only takes on white polyester.
- Durability and care
- The dye is in the fibre, not on it, so it will not crack or peel. Gentle wash, air dry.
The artwork
A green drake clings to a reed that arcs low over the water. Its wings stand tall and leaf green, veined in cream. The olive body is ringed segment by segment, and three thin tails reach back toward a peach sky.
Wear it on the bank while you watch for the first rise, or to the diner after. The mayfly reads clearly from across a parking lot, and the people who know the hatch will ask which river.
Cream veining on the wings is what makes the drake look alive. Keep those lines thin and few, laid over the leaf green only once it is dry, so the wing stays light instead of chalky.
What arrives
- The hat
- A care card
- On a hand airbrushed hat, a numbered tag naming the water it was painted from, when the design names one
Looking after it
Hand airbrushed
- Spot clean with cool water and a soft brush. Never a washing machine.
- Keep it out of a hot car for long stretches — heat-set paint is tough, but a dashboard in July is not a test worth running.
- Reshape the brim by hand while damp.
Sublimation printed
- Spot clean, or gently hand wash in cool water. No bleach.
- Air dry. Do not iron the print.
- Reshape the brim by hand while damp.
- The dye is in the fibre, so the print will not crack or peel.
Details
Airbrush palette
- Colours
- peach, sage, teal, wheat tan, umber, leaf green, olive, cream
Details
- Subject
- green drake mayfly
- Style
- realistic wildlife illustration
Make it yourself
The palette
- Peach
- Sage
- Teal
- Wheat tan
- Umber
- Leaf green
- Olive
- Cream
The layers
8 layers, in this order. Each mask comes off and the paint has to dry before the next one goes down.
- Sky wash
- Water
- Ripples
- Reeds
- Shading
- Wings
- Body
- Highlights
The kit's stencil set is cut from these layers; with the cutter (12 hats and up) you cut your own from this design's layer files.
How to mix each colour
Peach
Mix by eye against the photograph; test on the card first
Sage
2 parts green, 1 part white, a drop of black to dull it
Teal
2 parts blue, 1 part green, a touch of white to lift it
Wheat tan
3 parts white, 2 parts yellow, 1 part brown
Umber
Equal parts red, yellow and blue, then a drop of black to deepen it; or burnt umber straight from the bottle
Leaf green
1 part yellow to 1 part blue; more yellow for a warm green, more blue for a cool one
Olive
2 parts yellow, 1 part black, a drop of red to warm it
Cream
White with a drop of yellow and the smallest touch of brown
Setup
- Ventilation or a spray booth. Water-based paint still throws a fine mist, and you will be breathing it for hours.
- A half-mask respirator rated for paint mists. A dust mask is not one.
- A compressor with a moisture trap, set and tested on a card before you start: wet air spits water into the paint.
- Reducer and a cleaning pot within reach, so a clog is a ten-second fix instead of a ruined panel.
- Spray a test card for every colour before it touches the cap. Colour reads differently wet, dry and on twill.
Prep
- Lint-roll the front panel. Every fibre left on it prints as a speck in the paint.
- Mask the mesh, any seams you want clean and the whole visor, underside included, with low-tack tape and paper.
- Stretch the crown over the cap jig so the front panel is taut and curved the way it will be worn. Spraying a slack panel flat distorts the design when it is worn.
- Spray one light coat of transparent base so the colour sits on the fabric instead of soaking into it.
Layer by layer
1 · Sky wash — 0.5 mm · 25–30 PSI
peach — a soft warm blush across the top of the panel
Mask None on the panel itself: the mesh and the visor are already masked from the prep.
Colour Peach — Mix by eye against the photograph; test on the card first
- Needle
- 0.5 mm (a 0.35 mm works, it just takes longer)
- Pressure
- 25–30 PSI
- Distance
- 6–8 in from the panel
- Passes
- 3–4 light passes, building the colour
- Dry
- 10 minutes, or 60–90 seconds with a heat gun on low, before the next mask goes down
Tip Fade wet to dry and never lay one heavy coat: twill wicks paint sideways and the edge blooms.
2 · Water — 0.35 mm · 20–25 PSI
sage — a calm band of water across the lower half
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Sage — 2 parts green, 1 part white, a drop of black to dull it
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
3 · Ripples — 0.35 mm · 20–25 PSI
teal — thin horizontal ripple lines drifting through the water
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Teal — 2 parts blue, 1 part green, a touch of white to lift it
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
4 · Reeds — 0.35 mm · 20–25 PSI
wheat tan — long curving reed stems rising from the right and bending across the water
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Wheat tan — 3 parts white, 2 parts yellow, 1 part brown
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
5 · Shading — 0.35 mm · 20–25 PSI
umber — shadow edges on the reeds, the insect's outline, leg joints and eye
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Umber — Equal parts red, yellow and blue, then a drop of black to deepen it; or burnt umber straight from the bottle
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
6 · Wings — 0.35 mm · 20–25 PSI
leaf green — the upright, veined mayfly wings
Mask Lay this layer's mylar stencil and burnish the edges flat with your thumbnail.
Colour Leaf green — 1 part yellow to 1 part blue; more yellow for a warm green, more blue for a cool one
- Needle
- 0.35 mm
- Pressure
- 20–25 PSI
- Distance
- 4–6 in from the panel
- Passes
- 2–3 passes
- Dry
- 10 minutes before lifting the stencil
Tip Spray away from the stencil edge, not into it, so the air does not push paint underneath.
7 · Body — 0.3 mm · 18–22 PSI
olive — the segmented abdomen, thorax, legs and long trailing tails
Mask The hand-cut subject stencil, inner pieces first, then the outline piece.
Colour Olive — 2 parts yellow, 1 part black, a drop of red to warm it
- Needle
- 0.3 mm
- Pressure
- 18–22 PSI
- Distance
- 3–4 in from the panel
- Passes
- 2–3 passes per tone, light to dark
- Dry
- 10 minutes between tones
Tip Light tones first: a light colour over a dark one needs many coats, a dark one over a light one needs two.
8 · Highlights — 0.2–0.3 mm · 12–15 PSI
cream — fine wing veins, glints on the body and a shine line on the water
Mask None: freehand, with a shield card held against any hard edge.
Colour Cream — White with a drop of yellow and the smallest touch of brown
- Needle
- 0.2–0.3 mm
- Pressure
- 12–15 PSI
- Distance
- 1–2 in from the panel
- Passes
- Freehand, in short controlled strokes
- Dry
- 10 minutes, then check it before you cure
Tip Low pressure, close in and moving: stop the stroke before you release the trigger.
Step by step
Mask everything outside the art panel. Spray peach across the top in a soft fade, around 20 PSI, 0.35 mm needle, 15 cm away. Treat all settings here as a starting point and test on scrap.
Mask the sky edge with a loose torn-paper line. Lay sage across the lower half for the water, 20 PSI, 0.35 mm needle, about 12 cm away, building in two light passes.
Use a straight-edge shield held just off the surface. Pull thin teal ripple lines side to side through the sage, 15 PSI, 0.2 mm needle, 4 to 5 cm away.
Cut a reed mask with the long curving stems. Spray wheat tan through it, 18 PSI, 0.3 mm needle, 8 cm away. Lift the mask once the paint is dry to the touch.
Freehand umber shadows along one edge of each reed, 15 PSI, 0.2 mm needle, 3 to 4 cm away. Keep the line tight to the stem.
Place a wing mask cut to the raised mayfly wings. Spray leaf green, 18 PSI, 0.3 mm needle, 6 to 8 cm away, deeper at the base and lighter toward the tips.
Mask the body, legs and tails. Spray olive, 15 PSI, 0.2 mm needle, 5 cm away. Darken every other segment with a second short burst for the ringed look.
Return to umber for the insect outline, leg joints and eye, 12 PSI, 0.2 mm needle, 2 to 3 cm away.
Finish with cream: thin wing veins, small glints on the body and one shine line along the water, 12 PSI, 0.2 mm needle, 2 to 3 cm away.
Let the panel air-dry fully, then heat-set the paint as its label directs before the hat is worn.
Cure
- Heat set at 300°F / 150°C. Water-based textile paint is not wash-fast until it is heat set.
- Cap press: 3–5 minutes with a teflon sheet over the design.
- Or heat gun: 2–3 minutes per panel, keeping it moving 2–3 in off the fabric so it does not scorch.
- If you have neither, air cure for 72 hours before the cap touches water.
Seal
- Two light coats of matte fabric sealer, UV-resistant, from 8–10 in, 15 minutes apart.
- Leave it 24 hours before the cap is worn.
- Never a gloss sealer on cotton twill: it shines, cracks along the creases and looks like a sticker.
Clean-up
- Flush the brush with water, then airbrush cleaner, until it sprays clear.
- Strip the needle and wipe it toward the tip, never away from it.
- Never soak the brush body overnight.
Common mistakes
- Too much cream on the wings makes them chalky. Use a few fine veins and stop early.
- Teal ripples sprayed too close turn into blobs. Hold the shield just off the surface and keep moving.
- Lifting the reed mask while wet smears the tan into the sage. Wait until it is dry to the touch.
- Heavy umber outlines flatten the mayfly. Keep the pressure low and the line thin.
Tips
- Let the leaf green dry completely before any cream veining, or the lines bleed and turn the wing pale.
- Practise the segmented olive body on scrap first; short controlled bursts give clean rings.
- Keep the peach fade soft at its lower edge so the sky melts into the water.
- Curve the reeds with your whole arm, not your wrist, for smooth arcs.
Every kit size
Trucker · kit for 1 hat
$229
Bought separately $255 · you save $26
Includes Starter airbrush set · Cap jig · and 7 more
Every item in this kit · 9 items
Blanks
- Trucker blank, natural cotton twill front$9
Stencils
- Pre-cut mylar stencil set for this design — 8 layers$18
Paint & masks
- Water-based textile airbrush colour, 2 oz — one per colour in this design$48
- Transparent base and reducer, 4 oz$7
- Low-tack masking film and ¼ in tape$8
- Matte fabric sealer, 4 oz$12
Equipment
- Starter airbrush set — 0.3 mm dual-action gravity brush, mini compressor, braided hose$129
- Cap jig — holds the crown taut while you spray$24
Guide
- Printed step-by-step guide for this designIncluded
Trucker · kit for 12 hats
$1,085
$90.42 a hat
Bought separately $1,234 · you save $149
Includes Dual-action gravity-feed airbrush · Quiet compressor with tank and moisture trap · Cap jig and two spare crown forms · Tabletop spray booth with exhaust fan · and 11 more
Every item in this kit · 15 items
Blanks
- Trucker blank, natural cotton twill front$78
Stencils
- Desktop stencil cutter, 12 in — the "stencil printer": cuts mylar from this design's layer files$299
- Stencil mylar, 7 mil, 12 × 12 in$22
- This design's layer files, every layer (SVG)Included
Paint & masks
- Water-based textile airbrush colour, 4 oz — one per colour in this design$112
- Transparent base and reducer, 16 oz$16
- Low-tack masking film$18
- Matte fabric sealer, 16 oz$28
Equipment
- Dual-action gravity-feed airbrush, 0.3 mm$135
- Quiet compressor with tank and moisture trap$179
- Cap jig and two spare crown forms$64
- Tabletop spray booth with exhaust fan$149
- Cleaning pot, brushes and a half-mask respirator$99
- Heat gun for curing$35
Guide
- Printed step-by-step guide for this designIncluded
Trucker · kit for 12 × 12 hats
$3,165
$21.98 a hat
Bought separately $3,724 · you save $559
Includes Two dual-action gravity-feed airbrushes · Production airbrush · Twin-piston compressor with tank and two regulators · Production spray booth · and 13 more
Every item in this kit · 17 items
Blanks
- Trucker blank, natural cotton twill front$756
Stencils
- Stencil cutter-plotter, 24 in — the production "stencil printer"$649
- Stencil mylar, 7 mil, 12 × 12 in$85
- This design's layer files, every layer (SVG)Included
Paint & masks
- Water-based textile airbrush colour, 32 oz — one per colour in this design$384
- Transparent base and reducer$49
- Low-tack masking film$54
- Matte fabric sealer$89
Equipment
- Two dual-action gravity-feed airbrushes, 0.3 mm$270
- Production airbrush, 0.5 mm, for base fades$95
- Twin-piston compressor with tank and two regulators$329
- Production spray booth, two fans$289
- Three cap jigs$192
- Cleaning station, respirator and spare cartridges$139
- Cap heat press for curing$279
- Drying rack, 24 caps$65
Guide
- Printed step-by-step guide for this designIncluded
The creator
Remixes
No remixes yet — make your own version.
Where this came from
trucker hat · made
0 — nothing entered the score yet, at the Derby's published weights, since . Views are not counted.
- green drake
- mayfly
- fly fishing
- trucker hat
- hatch
- reeds
- river
- dry fly
- aquatic insect
- angler